Motion

Motion brings the principles of our creative expression to life. Its temporal dimension can delight a user or bring clarity to complex problems. Wherever motion appears, you’ll need to determine how it is best expressed depending on how users encounter and interact with it.

Tone

Each animation principle exists as a tonal continuum, from tactical to emotional. Where your work sits on this spectrum depends on what and how it’s trying to communicate. 

Motion can bring delight to a user or guide them through a complex problem. In video, it can help tell a compelling story or bring clarity to a topic. In user interfaces, micro animation can help users complete their work or add delight to an experience.  

Tactical aims to inform and guide. It is useful and direct. Eases are shorter and steeper. Timing is appropriately and efficiently timed.

Emotional aims to celebrate the brand and add delight. It is emotive and compelling.

Principles

Initially introduced by Disney animators Ollie Johnston and Frank Thomas in their 1981 book, The Illusion of Life: Disney Animation, these principles for character animation have been amended for motion graphics.

Squash and Stretch

Accentuate motion with squashing and stretching but avoid cartoonish deformations. Aim for precision and accuracy. Avoid obscuring and distracting with exaggerated motion.

Do aim for accurate and precise motion.

Avoid exaggerated and cartoonish motion.

Anticipation

Show the intent of motion. Anticipate the acceleration and deceleration of an object.

Do direct the viewer attention with follow through and overlapping motion.

Avoid abrupt and jarring motion.

Layered Animation

Accentuate the dominant motion with additional motion. Prioritize motion across the same scene to relate back to primary motion.

Do reinforce the motion of the dominant object.

Don’t pull focus from the dominant object.

Easing

Aim for smooth acceleration and deceleration. Avoid linear or exaggerated easing. Objects should move with intention and confidence.

Aim to ease motion.

Avoid linear, non-eased motion.

Timing

Objects should move with intent and decisiveness. Exaggerate sparingly to enhance intent. Avoid exaggerated acceleration, abrupt stops, or long pauses.

Aim for intentional and deliberately timed motion.

Avoid awkward, illogically timed motion.

Materiality

Avoid movement or behavior that is unexpected of a depicted object. Aim for believable motion.

Aim for natural motion.

Avoid jarring, artificial motion.

Methods

If the principles are the basic building blocks of motion, methods describe how they come together for more richly animated scenes.

Logic

Objects should move and interact with each other in predictable ways. Aim for the most efficient way to get from A to B. Objects should move with confidence.

Focus

Maintain focus in any given scene. Guide the viewer’s attention without distracting. Giving clear focus aids comprehension.

Typography

Avoid gimmicky or cartoonish typographic movement. Support comprehension with movement. Refrain from warping text.

Fluidity

Ensure movement is fluid and at ease to instill confidence and trust. Avoid jarring, abrupt motion, which distracts attention.

Constancy

Ensure pauses are meaningful and contribute to the overall rhythm. Otherwise, avoid static frames.

Moderation

Be purposeful in motion values. Avoid extreme values. Aim for reasonable, moderated motion that instills trust and approachability.

Harmony

Create formal and spatial relationships between an object and motion. The total of all animation should be a crafted composition. Aim for a symphony of coordinated motion that brings objects to life.

Delight

Look for moments to add delight. Subvert established patterns to surprise and engage.